- ILUSTRADORES HORACIO ALTUNA PDF
- ILUSTRADORES HORACIO ALTUNA INSTALL
- ILUSTRADORES HORACIO ALTUNA LICENSE
- ILUSTRADORES HORACIO ALTUNA SERIES
- ILUSTRADORES HORACIO ALTUNA TV
I haven’t used bazaar, nor mercurial or any other DVCS but the same applies to them I suppose. In short, Git rocks! Or more precisely distributed version control systems rocks. Right now I am using Emacs for development and Vi for Linux administration. In the end I succeded, although it will be a long time before I settle for one of them. Amazing how the Vi commands are hardwired to my fingers muscles. Man, that is like trying to rewire your brain. Well, I decided to try also Emacs, after more than 10 years of using Vi.
In the middle of the Grails project I am working right now, I decided to try Git.
ILUSTRADORES HORACIO ALTUNA LICENSE
Less is more sometimes.Īnyway I am releasing the Groovy & Grails presentation as a Creative Commons Attribution-NonCommercial-ShareAlike license so, feel free to use it and improve it. Other than that, I didn’t need some particular feature of PowerPoint.
ILUSTRADORES HORACIO ALTUNA PDF
One thing that is missing and it is needed a lot is a way to convert the presentation to PDF format, so it is easy to share to other people or to upload to sites like slideshare. It is so easy to setup and have a web-enabled presentation in minutes. And this is what puts ShowOff apart of any presentation software. Instead, it offers a few basic styles, transitions and font styles and sizes. Of course ShowOff isn’t MS PowerPoint, and doesn’t try to be either. This make my presentation show up in port 9090 of my local machine. Then I moved to the ShowOff’s directory for my presentation and ran:
ILUSTRADORES HORACIO ALTUNA INSTALL
This is how you install showoff in Debian Squeeze: I liked it a lot so I use it for my presentation. In the middle of the course preparation I ended searching for a way to store the data of the presentation in a non-binary way, that is, in a textual format, so that I could version it and diff it correctly. I had little time to prepare but in the end all went ok and the participants were very surprised of the dynamic nature of the Groovy language and of the easy of development that Grails brings to the Java world. I have finished the first chapter (46 exercises) and I am currently doing the second chapter exercises. Even with only having read the first chapter, I must say, that this book is in its own league and I wish I had started this task before!Ī few weeks ago I gave a 3 day intro course on Groovy and Grails. The project, if you’re interested is here. To keep track of this I have created a project on github where I will publish the progress made. I feel great because I’m learning from really bright minds.Īnyway, I have the goal to finish the book and do all the exercises. Learning from this book is like being in college again. Obviously, next day is hard to wake up but I am happy because since long I haven’t felt this way about learning something new. I must say that I am hooked and each day, after work and until late night, I find myself working on exercises. Man this book is hard but at the same time very rewarding.
I have been reading and doing exercises constantly for the last 3 weeks. The last time I tried, I started the first chapter and made some exercices before jumping to something else. I found this book several years ago and I bookmarked it but never really went into it. In 1986, he drew the political fiction 'Chances' in Pilote et Charlie, and received the 'Yellow Kid Award for the Best Illustrator' from the International Comics Salon in Lucca.To read and comprehend fully the SICP book ( ). He contributed to magazines like Zona 84, Comix Internacional, Cimoc and Play Boy.Already a master of black and white techniques, he devoted himself to stories in color, like 'Ficcionario', 'Tragaperas', 'Merdichensky' and 'Charlie Moon', which were published all over Europe. In 1982, he moved to Spain, where he got assiciated with Josep Toutain's agency.
ILUSTRADORES HORACIO ALTUNA TV
The strip was a huge success, and was adapted for TV and published in Spain and France.Īltuna became secretary of the Argentinean Comic Association and taught graphics at the School of Arts in Buenos Aires.
ILUSTRADORES HORACIO ALTUNA SERIES
In 1975, he created the series 'El Loco Chavez' with the writer Carlos Trillo in the daily Clarin. In addition, he worked for the publishers Quinterno, Abril and Atlantida, as well as the Fleetway group in London. He began a longtime collaboration with the publishing house Colomba in Buenos Aires in 1967, where he co-created characters like 'Big Norman' (with writer Robin Wood), 'Hilario Corvalan' (with Sergio Almendre), 'Los Cuzados' and 'Kabul' (with Hector German Oesterheld). Self-taught artist Horacio Altuna made his debut in Argentina in 1965.
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